Earthquake Damage San Francisco 1906
Earthquake Damage San Francisco 1906, with Lotta's Fountain left
foreground
The rebuilt Palace Hotel, the original where Caruso stayed partly
burned down
Union
Square (rebuilt) where Caruso slept after the quake
The Saint Francis Hotel on Union Square, built after the quake
The Ferry Building from where the Oakland Ferry departed
The Ferry Building with ferry arriving
The
Faimont Hotel built on Nob Hill after the quake and fire destroyed the
mansions of the west coast super rich
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"You ask me to say what I saw
and what I did during the terrible days which witnessed the
destruction of San Francisco? Well,
there have been many accounts of my so-called adventures published in
the American papers, and most of them have not been quite correct.
"Some
of the papers said that I was terribly frightened, that I went half
crazy with fear, that I dragged my valise out of the hotel into the
square and sat upon it and wept; but all this is untrue.
"I was
frightened, as many others were, but I did not lose my head. I
was stopping at the Palace Hotel, where many of my fellow-artists were
staying, and very comfortable it was. I
had a room on the fifth floor, and on Tuesday evening, the night
before the great catastrophe, I went to bed feeling very contented. I
had sung in “Carmen” that night, and the opera had one with fine eclat.
We were all pleased, and,
as I said before, I went to bed that night feeling happy and
contented.
"But what an awakening! You
must know that I am not a very heavy sleeper—I always wake early,
and when I feel restless I get up and go for a walk. So
on the Wednesday morning early I wake up about 5 o’clock, feeling my
bed rocking as though I am in a ship on the ocean, and for a moment I
think I am dreaming that I am crossing the water on my way to my
beautiful country.
"And so
I take no notice for the moment, and then, as the rocking continues, I
get up and go to the window, raise the shade and look out. And
what I see makes me tremble with fear. I
see the buildings toppling over, big pieces of masonry falling, and
from the street below I hear the cries and screams of men and women
and children.
"I remain speechless, thinking
I am in some dreadful nightmare, and for something like forty seconds
I stand there, while the buildings fall and my room still rocks like a
boat on the sea. And
during that forty seconds I think of forty thousand different things. All
that I have ever done in my life passes before me, and I remember
trivial things and important things. I think of my first appearance in
grand opera, and I feel nervous as to my reception, and again I think
I am going through last night’s “Carmen.”
"And then I gather my faculties
together and call to my valet. He
comes rushing in quite cool, and, without any tremor in his voice,
says: "It is nothing." But all the same he advises me to dress quickly and go into
the open, lest the hotel fall and crush us to powder.
"By this time the plaster on the ceiling has fallen in a great
shower, covering the bed and the carpet and the furniture, and I, too,
begin to think it is time to “get busy”.
My valet gives me some clothes, I know not what the garments
are but I get into a pair of trousers and into a coat and draw some
socks on and my shoes, and every now and again the room trembles, so
that I jump and feel very nervous.
"I do not deny that I feel nervous, for I still think the
building will fall to the ground and crush us.
And all the time we hear the sound of crashing masonry and the
cries of frightened people.
"Then we run down the stairs
and into the street, and my valet, brave fellow that he is, goes back
and bundles all my things into trunks and drags them down six flights
of stairs and out into the open one by one.
"While
he is gone for another and another, I watch those that have already
arrived, and presently someone comes and tries to take my trunks
saying they are his. I
say, “no, they are mine”; but he does not go away. Then
a soldier comes up to me; I tell him that this man wants to take my
trunks, and that I am Caruso, the artist who sang in “Carmen” the
night before. He remembers me and makes the man who takes an interest in my
baggage “skiddoo” as Americans say.
"Then I make my way to Union
Square, where I see some of my friends, and one of them tells me he
has lost everything except his voice, but he is thankful that he has
still got that. And they
tell me to come to a house that is still standing; but I say houses
are not safe, nothing is safe but the open square, and I prefer to
remain in a place where there is no fear of being buried by falling
buildings.
"So I lie down
in the square for a little rest, while my valet goes and looks after
the luggage, and soon I begin to see the flames and all the city seems
to be on fire.
"All the
day I wander about, and I tell my valet we must try and get away, but
the soldiers will not let us pass. We
can find no vehicle to find our luggage, and this night we are forced
to sleep on the hard ground in the open. My
limbs ache yet from so rough a bed.
"Then my valet succeeds in
getting a man with a cart, who says he will take us to the Oakland
Ferry for a certain sum, and we agree to his terms.
We pile the luggage into the cart and climb in after it, and
the man whips up his horse and we start.
"We pass terrible scenes on the way:
buildings in ruins, and everywhere there seems to be smoke and
dust. The driver seems in
no hurry, which makes me impatient at times, for I am longing to
return to New York, where I know I shall find a ship to take me to my
beautiful Italy and my wife and my little boys.
"When we arrive at Oakland we
find a train there which is just about to start, and the officials are
very polite, take charge of my luggage, and tell me go get on board,
which I am very glad to do.
"The
trip to New York seems very long and tedious, and I sleep very little,
for I can still feel the terrible rocking which made me sick. Even
now I can only sleep an hour at a time, for the experience was a
terrible one."
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