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Knights of Art -
Giorgione
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Gallery of Art: As
we look back upon the lives of the great painters we can see how each
one added some new knowledge to the history of Art, and unfolded fresh
beauties to the eyes of the world. Very gradually all this was done, as
a bud slowly unfolds its petals until the full- blown flower shows forth
its perfect beauty. But here and there among the painters we find a man
who stands apart from the rest, one who takes a new and almost startling
way of his own. He does not gradually add new truths to the old ones,
but makes an entirely new scheme of his own. Such a man was Giorgione,
whose story we tell to-day. Warrior with Shield Carrier by
Giorgione It
was at the same time as Leonardo da Vinci was the talk of the Florentine
world, that another great genius was at work in Venice, setting his mark
high above all who had gone before. Giorgio Barbarelli was born at
Castel Franco, a small town not far from Venice, and it was to the great
city of the sea that he was sent as soon as he was old enough, there to
be trained under the famous Bellini. He was a handsome boy, tall and
well-built, and with such a royal bearing that his companions at once
gave him the name of Giorgione, or George the Great. And, as so often
happened in those days, the nick- name clung to him, so that while his
family name is almost forgotten he is still known as Giorgione. There
was much of the poet nature about Giorgione, and his love of music was
intense. He composed his own songs and sang them to his own music upon
the lute, and indeed it seemed as if there were few things which this
Great George could not do. But it was his painting that was most
wonderful, for his painted men and women seemed alive and real, and he
caught the very spirit of music in his pictures and there held it fast. Giorgione
early became known as a great artist, and when he was quite a young man
he was employed by the city of Venice to fresco the outside walls of the
new German Exchange. Wind and rain and the salt sea air have entirely
ruined these frescoes now, and there are but few of Giorgione's pictures
left to us, but that perhaps makes them all the more precious in our
eyes. The Singer by Giorgione Even
his drawings are rare, and the one you see here is taken from a bigger
sketch in the Uffizi Gallery of Florence. It shows a man in Venetian
dress helping two women to mount one of the niches of a marble palace in
order to see some passing show, and to be out of the way of the crowd. There
is a picture now in the Venice Academy said to have been painted by
Giorgione, which would interest every boy and girl who loves old
stories. It tells the tale of an old Venetian legend, almost forgotten
now, but which used to be told with bated breath, and was believed to be
a matter of history. The story is this: On
the 25th of February 1340 a terrible storm began to rage around Venice,
more terrible than any that
had ever been felt before. For three days the wild winds swept her
waters and shrieked around her palaces, churning up the sea into great
waves and shaking the city to her very foundations. Lightning and
thunder never ceased, and the rain poured down in a great sheet of grey
water, until it seemed as if a second flood had come to visit the world.
Slowly but surely the waters rose higher and higher, and Venice sunk
lower and lower, and men said that unless the storm soon ceased the city
would be overwhelmed. No one ventured out on the canals, and only an old
fisherman who happened to be in his boat was swept along by the canal of
San Marco, and managed with great difficulty to reach the steps. Very
thankful to be safe on land he tied his boat securely, and sat down to
wait until the storm should cease. As he sat there watching the
lightning and hearing nothing but the shriek of the tempest, some one
touched his shoulder and a stranger's voice sounded in his ear. Virgin and Child with Saints
(detail) by Giorgione `Good
fisherman,' it said, `wilt thou row me over to San Giorgio Maggiore? I
will pay thee well if thou wilt go.' The
fisherman looked across the swirling waters to where the tall bell-tower
upon the distant island could just be seen through the driving mist and
rain. `How
is it possible to row across to San Giorgio?' he asked. `My little boat
could not live for five minutes in those raging waters.' But
the stranger only insisted the more, and besought him to do his best. So,
as the fisherman was a hardy old man and had a bold, brave soul, he
loosed the boat and set off in all the storm. But, strangely enough, it
was not half so bad as he had feared, and before long the little boat
was moored safely by the steps of San Giorgio Maggiore. Here
the stranger left the boat, but bade the fisherman wait his return. Presently
he came back, and with him came a young man, tall and strong, bearing
himself with a knightly grace. `Row
now to San Niccolo da Lido,' commanded the stranger. `How
can I do that?' asked the fisherman in great fear. For San Niccolo was
far distant, and he was rowing with but one oar, which is the custom in
Venice. `Row
boldly, for it shall be possible for thee, and thou shalt be well paid,'
replied the stranger calmly. So,
seeing it was the will of God, the fisherman set out once more, and, as
they went, the waters spread themselves out smoothly before them, until
they reached the distant San Niccolo da Lido. Here
an old man with a white beard was awaiting them, and when he too had
entered the boat, the fisherman was commanded to row out towards the
open sea. Adoration of Shepherds
(detail) by Giorgione Now
the tempest was raging more fiercely than ever, and lo! across the wild
waste of foaming waters an enormous black galley came bearing down upon
them. So fast did it approach that it seemed almost to fly upon the
wings of the wind, and as it came near the fisherman saw that it was
manned by fearful-looking black demons, and knew that they were on
their way to overwhelm the fair city of Venice. But
as the galley came near the little boat, the three men stood upright,
and with outstretched arms made high above them the sign of the cross,
and commanded the demons to depart to the place from whence they had
come. In
an instant the sea became calm, and with a horrible shriek the demons in
their black galley disappeared from view. Then
the three men ordered the fisherman to return as he had come. So the old
man was landed at San Niccolo da Lido, the young knight at San Giorgio
Maggiore, and, last of all, the stranger landed at San Marco. Now
when the fisherman found that his work was done, he thought it was time
that he should receive his payment. For, although he had seen the great
miracle, he had no mind to forgo his proper fare. `Thou
art right,' said the stranger, when the fisherman made his demand, `and
thou shalt indeed be well paid. Go now to the Doge and tell him all thou
hast seen; how Venice would have been destroyed by the demons of the
tempest, had it not been for me and my two companions. I am St. Mark,
the protector of your city; the brave young knight is St. George, and
the old man whom we took in last is St. Nicholas. Tell the Doge that I
bade him pay thee well for thy brave service.' `But,
and if I tell them this story, how will they believe that I speak the
truth?' asked the fisherman. Then
St. Mark took a ring off his finger, and placed it in the fisherman's
rough palm. `Thou shalt show them this ring as a proof,' he said; `and
when they look in the treasury of San Marco, they will find that it is
missing from there.' And
when he had finished saying this, St. Mark disappeared. Three Philosophers (detail) by
Giorgione Then
the next day, as early as possible, the fisherman went to the Doge and
told his marvellous tale and showed the saint's ring. At first no one
could believe the wild story, but when they sent and searched in St.
Mark's treasury, lo! the ring was missing. Then they knew that it must
indeed have been St. Mark who had appeared to the old fisherman, and had
saved their beloved city from destruction. So
a solemn thanksgiving service was sung in the great church of San Marco,
and the fisherman received his due reward. He
was no longer obliged to work for his living, but received a pension
from the rulers of the city, so that he lived in comfort all the rest of
his days. In
the picture we see the great black galley manned by the demons, sweeping
down upon the little boat, in which the three saints stand upright. And
not only are the demons on board their ship, but some are riding on
dolphins and curious-looking fish, and the little boat is entirely
surrounded by the terrible crew. Judith by Giorgione
Return to: Stories of the Italian Painters
by Amy Steedman