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The
society out of which Cecil proposed to rescue Lucy was perhaps no very
splendid affair, yet it was more splendid than her antecedents entitled
her to. Her father, a prosperous local solicitor, had built Windy
Corner, as a speculation at the time the district was opening up, and,
falling in love with his own creation, had ended by living there
himself. Soon after his marriage the social atmosphere began to alter.
Other houses were built on the brow of that steep southern slope and
others, again, among the pine-trees behind, and northward on the chalk
barrier of the downs. Most of these houses were larger than Windy
Corner, and were filled by people who came, not from the district, but
from London, and who mistook the Honeychurches for the remnants of an
indigenous aristocracy. He was inclined to be frightened, but his wife
accepted the situation without either pride or humility. "I cannot
think what people are doing," she would say, "but it is
extremely fortunate for the children." She called everywhere; her
calls were returned with enthusiasm, and by the time people found out
that she was not exactly of their milieu, they liked her, and it did not
seem to matter. When Mr. Honeychurch died, he had the
satisfaction--which few honest solicitors despise--of leaving his family
rooted in the best society obtainable. The
best obtainable. Certainly many of the immigrants were rather dull, and
Lucy realized this more vividly since her return from Italy. Hitherto
she had accepted their ideals without questioning --their kindly
affluence, their inexplosive religion, their dislike of paper-bags,
orange-peel, and broken bottles. A Radical out and out, she learnt to
speak with horror of Suburbia. Life, so far as she troubled to conceive
it, was a circle of rich, pleasant people, with identical interests and
identical foes. In this circle, one thought, married, and died. Outside
it were poverty and vulgarity forever trying to enter, just as the
London fog tries to enter the pine-woods pouring through the gaps in the
northern hills. But, in Italy, where any one who chooses may warm
himself in equality, as in the sun, this conception of life vanished.
Her senses expanded; she felt that there was no one whom she might not
get to like, that social barriers were irremovable, doubtless, but not
particularly high. You jump over them just as you jump into a peasant's
olive-yard in the Apennines, and he is glad to see you. She returned
with new eyes. So
did Cecil; but Italy had quickened Cecil, not to tolerance, but to
irritation. He saw that the local society was narrow, but, instead of
saying, "Does that very much matter?" he rebelled, and tried
to substitute for it the society he called broad. He did not realize
that Lucy had consecrated her environment by the thousand little
civilities that create a tenderness in time, and that though her eyes
saw its defects, her heart refused to despise it entirely. Nor did he
realize a more important point-- that if she was too great for this
society, she was too great for all society, and had reached the stage
where personal intercourse would alone satisfy her. A rebel she was, but
not of the kind he understood--a rebel who desired, not a wider
dwelling-room, but equality beside the man she loved. For Italy was
offering her the most priceless of all possessions--her own soul.
Playing
bumble-puppy with Minnie Beebe, niece to the rector, and aged
thirteen--an ancient and most honourable game, which consists in
striking tennis-balls high into the air, so that they fall over the net
and immoderately bounce; some hit Mrs. Honeychurch; others are lost. The
sentence is confused, but the better illustrates Lucy's state of mind,
for she was trying to talk to Mr. Beebe at the same time.
"Oh,
it has been such a nuisance--first he, then they--no one knowing what
they wanted, and every one so tiresome." "But
they really are coming now," said Mr. Beebe. "I wrote to Miss
Teresa a few days ago--she was wondering how often the butcher called,
and my reply of once a month must have impressed her favourably. They
are coming. I heard from them this morning. "I
shall hate those Miss Alans!" Mrs. Honeychurch cried. "Just
because they're old and silly one's expected to say 'How sweet!' I hate
their 'if'-ing and 'but'-ing and 'and'-ing. And poor Lucy --serve her
right--worn to a shadow." Mr.
Beebe watched the shadow springing and shouting over the tennis-court.
Cecil was absent--one did not play bumble-puppy when he was there.
"Well,
if they are coming-- No, Minnie, not Saturn." Saturn was a
tennis-ball whose skin was partially unsewn. When in motion his orb was
encircled by a ring. "If they are coming, Sir Harry will let them
move in before the twenty-ninth, and he will cross out the clause about
whitewashing the ceilings, because it made them nervous, and put in the
fair wear and tear one.--That doesn't count. I told you not
Saturn." "Saturn's
all right for bumble-puppy," cried Freddy, joining them.
"Minnie, don't you listen to her." "Saturn
doesn't bounce." "Saturn
bounces enough." "No,
he doesn't." "Well;
he bounces better than the Beautiful White Devil."
"Hush,
dear," said Mrs. Honeychurch. "But
look at Lucy--complaining of Saturn, and all the time's got the
Beautiful White Devil in her hand, ready to plug it in. That's right,
Minnie, go for her--get her over the shins with the racquet--get her
over the shins!" Lucy
fell, the Beautiful White Devil rolled from her hand. Mr.
Beebe picked it up, and said: "The name of this ball is Vittoria
Corombona, please." But his correction passed unheeded.
Freddy
possessed to a high degree the power of lashing little girls to fury,
and in half a minute he had transformed Minnie from a well-mannered
child into a howling wilderness. Up in the house Cecil heard them, and,
though he was full of entertaining news, he did not come down to impart
it, in case he got hurt. He was not a coward and bore necessary pain as
well as any man. But he hated the physical violence of the young. How
right it was! Sure enough it ended in a cry. "I
wish the Miss Alans could see this," observed Mr. Beebe, just as
Lucy, who was nursing the injured Minnie, was in turn lifted off her
feet by her brother. "Who
are the Miss Alans?" Freddy panted. "They
have taken Cissie Villa." "That
wasn't the name--" Here
his foot slipped, and they all fell most agreeably on to the grass. An
interval elapses. "Wasn't
what name?" asked Lucy, with her brother's head in her lap.
"Alan
wasn't the name of the people Sir Harry's let to."
"Nonsense,
Freddy! You know nothing about it." "Nonsense
yourself! I've this minute seen him. He said to me: 'Ahem! Honeychurch,'"--Freddy
was an indifferent mimic--"'ahem! ahem! I have at last procured
really dee-sire-rebel tenants.' I said, 'ooray, old boy!' and slapped
him on the back." "Exactly.
The Miss Alans?" "Rather
not. More like Anderson." "Oh,
good gracious, there isn't going to be another muddle!" Mrs.
Honeychurch exclaimed. "Do you notice, Lucy, I'm always right? I
said don't interfere with Cissie Villa. I'm always right. I'm quite
uneasy at being always right so often." "It's
only another muddle of Freddy's. Freddy doesn't even know the name of
the people he pretends have taken it instead." "Yes,
I do. I've got it. Emerson." "What
name?" "Emerson.
I'll bet you anything you like." "What
a weathercock Sir Harry is," said Lucy quietly. "I wish I had
never bothered over it at all." Then
she lay on her back and gazed at the cloudless sky. Mr. Beebe, whose
opinion of her rose daily, whispered to his niece that THAT was the
proper way to behave if any little thing went wrong. Meanwhile
the name of the new tenants had diverted Mrs. Honeychurch from the
contemplation of her own abilities. "Emerson,
Freddy? Do you know what Emersons they are?" "I
don't know whether they're any Emersons," retorted Freddy, who was
democratic. Like his sister and like most young people, he was naturally
attracted by the idea of equality, and the undeniable fact that there
are different kinds of Emersons annoyed him beyond measure.
"I
trust they are the right sort of person. All right, Lucy"--she was
sitting up again--"I see you looking down your nose and thinking
your mother's a snob. But there is a right sort and a wrong sort, and
it's affectation to pretend there isn't." "Emerson's
a common enough name," Lucy remarked. She
was gazing sideways. Seated on a promontory herself, she could see the
pine-clad promontories descending one beyond another into the Weald. The
further one descended the garden, the more glorious was this lateral
view. "I
was merely going to remark, Freddy, that I trusted they were no
relations of Emerson the philosopher, a most trying man. Pray, does that
satisfy you?" "Oh,
yes," he grumbled. "And you will be satisfied, too, for
they're friends of Cecil; so--elaborate irony--"you and the other
country families will be able to call in perfect safety."
"CECIL?"
exclaimed Lucy. "Don't
be rude, dear," said his mother placidly. "Lucy, don't
screech. It's a new bad habit you're getting into."
"But
has Cecil--" "Friends
of Cecil's," he repeated, "'and so really dee-sire- rebel.
Ahem! Honeychurch, I have just telegraphed to them.'"
She
got up from the grass. It
was hard on Lucy. Mr. Beebe sympathized with her very much. While she
believed that her snub about the Miss Alans came from Sir Harry Otway,
she had borne it like a good girl. She might well "screech"
when she heard that it came partly from her lover. Mr. Vyse was a
tease--something worse than a tease: he took a malicious pleasure in
thwarting people. The clergyman, knowing this, looked at Miss
Honeychurch with more than his usual kindness. When
she exclaimed, "But Cecil's Emersons--they can't possibly be the
same ones--there is that--" he did not consider that the
exclamation was strange, but saw in it an opportunity of diverting the
conversation while she recovered her composure. He diverted it as
follows: "The
Emersons who were at Florence, do you mean? No, I don't suppose it will
prove to be them. It is probably a long cry from them to friends of Mr.
Vyse's. Oh, Mrs. Honeychurch, the oddest people! The queerest people!
For our part we liked them, didn't we?" He appealed to Lucy.
"There was a great scene over some violets. They picked violets and
filled all the vases in the room of these very Miss Alans who have
failed to come to Cissie Villa. Poor little ladies! So shocked and so
pleased. It used to be one of Miss Catharine's great stories. 'My dear
sister loves flowers,' it began. They found the whole room a mass of
blue --vases and jugs--and the story ends with 'So ungentlemanly and yet
so beautiful.' It is all very difficult. Yes, I always connect those
Florentine Emersons with violets." "Fiasco's
done you this time," remarked Freddy, not seeing that his sister's
face was very red. She could not recover herself. Mr. Beebe saw it, and
continued to divert the conversation. "These
particular Emersons consisted of a father and a son--the son a goodly,
if not a good young man; not a fool, I fancy, but very
immature--pessimism, et cetera. Our special joy was the father--such a
sentimental darling, and people declared he had murdered his wife."
In
his normal state Mr. Beebe would never have repeated such gossip, but he
was trying to shelter Lucy in her little trouble. He repeated any
rubbish that came into his head. "Murdered
his wife?" said Mrs. Honeychurch. "Lucy, don't desert us--go
on playing bumble-puppy. Really, the Pension Bertolini must have been
the oddest place. That's the second murderer I've heard of as being
there. Whatever was Charlotte doing to stop? By-the-by, we really must
ask Charlotte here some time." Mr.
Beebe could recall no second murderer. He suggested that his hostess was
mistaken. At the hint of opposition she warmed. She was perfectly sure
that there had been a second tourist of whom the same story had been
told. The name escaped her. What was the name? Oh, what was the name?
She clasped her knees for the name. Something in Thackeray. She struck
her matronly forehead. Lucy
asked her brother whether Cecil was in. "Oh,
don't go!" he cried, and tried to catch her by the ankles.
"I
must go," she said gravely. "Don't be silly. You always overdo
it when you play." As
she left them her mother's shout of "Harris!" shivered the
tranquil air, and reminded her that she had told a lie and had never put
it right. Such a senseless lie, too, yet it shattered her nerves and
made her connect these Emersons, friends of Cecil's, with a pair of
nondescript tourists. Hitherto truth had come to her naturally. She saw
that for the future she must be more vigilant, and be--absolutely
truthful? Well, at all events, she must not tell lies. She hurried up
the garden, still flushed with shame. A word from Cecil would soothe
her, she was sure. "Cecil!"
"Hullo!"
he called, and leant out of the smoking-room window. He seemed in high
spirits. "I was hoping you'd come. I heard you all bear-gardening,
but there's better fun up here. I, even I, have won a great victory for
the Comic Muse. George Meredith's right-- the cause of Comedy and the
cause of Truth are really the same; and I, even I, have found tenants
for the distressful Cissie Villa. Don't be angry! Don't be angry! You'll
forgive me when you hear it all." He
looked very attractive when his face was bright, and he dispelled her
ridiculous forebodings at once. "I
have heard," she said. "Freddy has told us. Naughty Cecil! I
suppose I must forgive you. Just think of all the trouble I took for
nothing! Certainly the Miss Alans are a little tiresome, and I'd rather
have nice friends of yours. But you oughtn't to tease one so."
"Friends
of mine?" he laughed. "But, Lucy, the whole joke is to come!
Come here." But she remained standing where she was. "Do you
know where I met these desirable tenants? In the National Gallery, when
I was up to see my mother last week." "What
an odd place to meet people!" she said nervously. "I don't
quite understand." "In
the Umbrian Room. Absolute strangers. They were admiring Luca Signorelli--of
course, quite stupidly. However, we got talking, and they refreshed me
not--a little. They had been to Italy." "But,
Cecil--" proceeded hilariously. "In
the course of conversation they said that they wanted a country
cottage--the father to live there, the son to run down for week-ends. I
thought, 'What a chance of scoring off Sir Harry!' and I took their
address and a London reference, found they weren't actual
blackguards--it was great sport--and wrote to him, making out--"
"Cecil!
No, it's not fair. I've probably met them before--"
He
bore her down. "Perfectly
fair. Anything is fair that punishes a snob. That old man will do the
neighbourhood a world of good. Sir Harry is too disgusting with his
'decayed gentlewomen.' I meant to read him a lesson some time. No, Lucy,
the classes ought to mix, and before long you'll agree with me. There
ought to be intermarriage--all sorts of things. I believe in
democracy--" "No,
you don't," she snapped. "You don't know what the word
means." He
stared at her, and felt again that she had failed to be Leonardesque.
"No, you don't!" She
left him. "Temper!"
he thought, raising his eyebrows. No,
it was worse than temper--snobbishness. As long as Lucy thought that his
own smart friends were supplanting the Miss Alans, she had not minded.
He perceived that these new tenants might be of value educationally. He
would tolerate the father and draw out the son, who was silent. In the
interests of the Comic Muse and of Truth, he would bring them to Windy
Corner.
PART
ONE
Chapter
II: In Santa Croce with No Baedeker
Chapter
III: Music, Violets, and the Letter "S"
Chapter
V: Possibilities of a Pleasant Outing
Chapter
VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr.
Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett,
and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians
Drive Them.
PART
TWO
Chapter
IX: Lucy As a Work of Art
Chapter
X: Cecil as a Humourist
Chapter
XI: In Mrs. Vyse's Well-Appointed Flat
Chapter
XIII: How Miss Bartlett's Boiler Was So Tiresome
Chapter
XIV: How Lucy Faced the External Situation Bravely
Chapter
XV: The Disaster Within
Chapter
XVIII: Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and The Servants
Chapter
XIX: Lying to Mr. Emerson
Chapter
XX: The End of the Middle Ages
A Room With A View, by E. M.
Forster