Candida Martinelli's Italophile Site
Main
Page This family-friendly site celebrates Italian culture for the enjoyment of children and
adults. Site-Overview
But
Lucy had developed since the spring. That is to say, she was now better
able to stifle the emotions of which the conventions and the world
disapprove. Though the danger was greater, she was not shaken by deep
sobs. She said to Cecil, "I am not coming in to tea--tell mother--I
must write some letters," and went up to her room. Then she
prepared for action. Love felt and returned, love which our bodies exact
and our hearts have transfigured, love which is the most real thing that
we shall ever meet, reappeared now as the world's enemy, and she must
stifle it.
She
sent for Miss Bartlett.
The
contest lay not between love and duty. Perhaps there never is such a
contest. It lay between the real and the pretended, and Lucy's first aim
was to defeat herself. As her brain clouded over, as the memory of the
views grew dim and the words of the book died away, she returned to her
old shibboleth of nerves. She "conquered her breakdown."
Tampering with the truth, she forgot that the truth had ever been.
Remembering that she was engaged to Cecil, she compelled herself to
confused remembrances of George; he was nothing to her; he never had
been anything; he had behaved abominably; she had never encouraged him.
The armour of falsehood is subtly wrought out of darkness, and hides a
man not only from others, but from his own soul. In a few moments Lucy
was equipped for battle.
"Something
too awful has happened," she began, as soon as her cousin arrived.
"Do you know anything about Miss Lavish's novel?"
Miss
Bartlett looked surprised, and said that she had not read the book, nor
known that it was published; Eleanor was a reticent woman at heart.
"There
is a scene in it. The hero and heroine make love. Do you know about
that?"
"Dear--?"
"Do
you know about it, please?" she repeated. "They are on a
hillside, and Florence is in the distance."
"My
good Lucia, I am all at sea. I know nothing about it whatever."
"There
are violets. I cannot believe it is a coincidence. Charlotte, Charlotte,
how could you have told her? I have thought before speaking; it must be
you."
"Told
her what?" she asked, with growing agitation.
"About
that dreadful afternoon in February."
Miss
Bartlett was genuinely moved. "Oh, Lucy, dearest girl--she hasn't
put that in her book?"
Lucy
nodded.
"Not
so that one could recognize it. Yes."
"Then
never--never--never more shall Eleanor Lavish be a friend of mine."
"So
you did tell?"
"I
did just happen--when I had tea with her at Rome--in the course of
conversation--"
"But
Charlotte--what about the promise you gave me when we were packing? Why
did you tell Miss Lavish, when you wouldn't even let me tell
mother?"
"I
will never forgive Eleanor. She has betrayed my confidence."
"Why
did you tell her, though? This is a most serious thing."
Why
does any one tell anything? The question is eternal, and it was not
surprising that Miss Bartlett should only sigh faintly in response. She
had done wrong--she admitted it, she only hoped that she had not done
harm; she had told Eleanor in the strictest confidence.
Lucy
stamped with irritation.
"Cecil
happened to read out the passage aloud to me and to Mr. Emerson; it
upset Mr. Emerson and he insulted me again. Behind Cecil's back. Ugh! Is
it possible that men are such brutes? Behind Cecil's back as we were
walking up the garden."
Miss
Bartlett burst into self-accusations and regrets.
"What
is to be done now? Can you tell me?"
"Oh,
Lucy--I shall never forgive myself, never to my dying day. Fancy if your
prospects--"
"I
know," said Lucy, wincing at the word. "I see now why you
wanted me to tell Cecil, and what you meant by 'some other source.' You
knew that you had told Miss Lavish, and that she was not reliable.
It
was Miss Bartlett's turn to wince. "However," said the girl,
despising her cousin's shiftiness, "What's done's done. You have
put me in a most awkward position. How am I to get out of it?"
Miss
Bartlett could not think. The days of her energy were over. She was a
visitor, not a chaperon, and a discredited visitor at that. She stood
with clasped hands while the girl worked herself into the necessary
rage.
"He
must--that man must have such a setting down that he won't forget. And
who's to give it him? I can't tell mother now--owing to you. Nor Cecil,
Charlotte, owing to you. I am caught up every way. I think I shall go
mad. I have no one to help me. That's why I've sent for you. What's
wanted is a man with a whip."
Miss
Bartlett agreed: one wanted a man with a whip.
"Yes--but
it's no good agreeing. What's to be DONE. We women go maundering on.
What DOES a girl do when she comes across a cad?"
"I
always said he was a cad, dear. Give me credit for that, at all events.
From the very first moment--when he said his father was having a
bath."
"Oh,
bother the credit and who's been right or wrong! We've both made a
muddle of it. George Emerson is still down the garden there, and is he
to be left unpunished, or isn't he? I want to know."
Miss
Bartlett was absolutely helpless. Her own exposure had unnerved her, and
thoughts were colliding painfully in her brain. She moved feebly to the
window, and tried to detect the cad's white flannels among the laurels.
"You
were ready enough at the Bertolini when you rushed me off to Rome. Can't
you speak again to him now?"
"Willingly
would I move heaven and earth--"
"I
want something more definite," said Lucy contemptuously. "Will
you speak to him? It is the least you can do, surely, considering it all
happened because you broke your word."
"Never
again shall Eleanor Lavish be a friend of mine."
Really,
Charlotte was outdoing herself.
"Yes
or no, please; yes or no."
"It
is the kind of thing that only a gentleman can settle." George
Emerson was coming up the garden with a tennis ball in his hand.
"Very
well," said Lucy, with an angry gesture. "No one will help me.
I will speak to him myself." And immediately she realized that this
was what her cousin had intended all along.
"Hullo,
Emerson!" called Freddy from below. "Found the lost ball? Good
man! Want any tea?" And there was an irruption from the house on to
the terrace.
"Oh,
Lucy, but that is brave of you! I admire you--"
They
had gathered round George, who beckoned, she felt, over the rubbish, the
sloppy thoughts, the furtive yearnings that were beginning to cumber her
soul. Her anger faded at the sight of him. Ah! The Emersons were fine
people in their way. She had to subdue a rush in her blood before
saying:
"Freddy
has taken him into the dining-room. The others are going down the
garden. Come. Let us get this over quickly. Come. I want you in the
room, of course."
"Lucy,
do you mind doing it?"
"How
can you ask such a ridiculous question?"
"Poor
Lucy--" She stretched out her hand. "I seem to bring nothing
but misfortune wherever I go." Lucy nodded. She remembered their
last evening at Florence--the packing, the candle, the shadow of Miss
Bartlett's toque on the door. She was not to be trapped by pathos a
second time. Eluding her cousin's caress, she led the way downstairs.
"Try
the jam," Freddy was saying. "The jam's jolly good."
George,
looking big and dishevelled, was pacing up and down the dining-room. As
she entered he stopped, and said:
"No--nothing
to eat."
"You
go down to the others," said Lucy; "Charlotte and I will give
Mr. Emerson all he wants. Where's mother?"
"She's
started on her Sunday writing. She's in the drawing-room."
"That's
all right. You go away."
He
went off singing.
Lucy
sat down at the table. Miss Bartlett, who was thoroughly frightened,
took up a book and pretended to read.
She
would not be drawn into an elaborate speech. She just said: "I
can't have it, Mr. Emerson. I cannot even talk to you. Go out of this
house, and never come into it again as long as I live here--"
flushing as she spoke and pointing to the door. "I hate a row. Go
please."
"What--"
"No
discussion."
"But
I can't--"
She
shook her head. "Go, please. I do not want to call in Mr. Vyse."
"You
don't mean," he said, absolutely ignoring Miss Bartlett-- "you
don't mean that you are going to marry that man?"
The
line was unexpected.
She
shrugged her shoulders, as if his vulgarity wearied her. "You are
merely ridiculous," she said quietly.
Then
his words rose gravely over hers: "You cannot live with Vyse. He's
only for an acquaintance. He is for society and cultivated talk. He
should know no one intimately, least of all a woman."
It
was a new light on Cecil's character.
"Have
you ever talked to Vyse without feeling tired?"
"I
can scarcely discuss--"
"No,
but have you ever? He is the sort who are all right so long as they keep
to things--books, pictures--but kill when they come to people. That's
why I'll speak out through all this muddle even now. It's shocking
enough to lose you in any case, but generally a man must deny himself
joy, and I would have held back if your Cecil had been a different
person. I would never have let myself go. But I saw him first in the
National Gallery, when he winced because my father mispronounced the
names of great painters. Then he brings us here, and we find it is to
play some silly trick on a kind neighbour. That is the man all
over--playing tricks on people, on the most sacred form of life that he
can find. Next, I meet you together, and find him protecting and
teaching you and your mother to be shocked, when it was for YOU to
settle whether you were shocked or no. Cecil all over again. He daren't
let a woman decide. He's the type who's kept Europe back for a thousand
years. Every moment of his life he's forming you, telling you what's
charming or amusing or ladylike, telling you what a man thinks womanly;
and you, you of all women, listen to his voice instead of to your own.
So it was at the Rectory, when I met you both again; so it has been the
whole of this afternoon. Therefore --not 'therefore I kissed you,'
because the book made me do that, and I wish to goodness I had more
self-control. I'm not ashamed. I don't apologize. But it has frightened
you, and you may not have noticed that I love you. Or would you have
told me to go, and dealt with a tremendous thing so lightly? But
therefore-- therefore I settled to fight him."
Lucy
thought of a very good remark.
"You
say Mr. Vyse wants me to listen to him, Mr. Emerson. Pardon me for
suggesting that you have caught the habit."
And
he took the shoddy reproof and touched it into immortality. He said:
"Yes,
I have," and sank down as if suddenly weary. "I'm the same
kind of brute at bottom. This desire to govern a woman--it lies very
deep, and men and women must fight it together before they shall enter
the garden. But I do love you surely in a better way than he does."
He thought. "Yes--really in a better way. I want you to have your
own thoughts even when I hold you in my arms," He stretched them
towards her. "Lucy, be quick--there's no time for us to talk
now--come to me as you came in the spring, and afterwards I will be
gentle and explain. I have cared for you since that man died. I cannot
live without you, 'No good,' I thought; 'she is marrying some one else';
but I meet you again when all the world is glorious water and sun. As
you came through the wood I saw that nothing else mattered. I called. I
wanted to live and have my chance of joy."
"And
Mr. Vyse?" said Lucy, who kept commendably calm. "Does he not
matter? That I love Cecil and shall be his wife shortly? A detail of no
importance, I suppose?"
But
he stretched his arms over the table towards her.
"May
I ask what you intend to gain by this exhibition?"
He
said: "It is our last chance. I shall do all that I can." And
as if he had done all else, he turned to Miss Bartlett, who sat like
some portent against the skies of the evening. "You wouldn't stop
us this second time if you understood," he said. "I have been
into the dark, and I am going back into it, unless you will try to
understand."
Her
long, narrow head drove backwards and forwards, as though demolishing
some invisible obstacle. She did not answer.
"It
is being young," he said quietly, picking up his racquet from the
floor and preparing to go. "It is being certain that Lucy cares for
me really. It is that love and youth matter intellectually."
In
silence the two women watched him. His last remark, they knew, was
nonsense, but was he going after it or not? Would not he, the cad, the
charlatan, attempt a more dramatic finish? No. He was apparently
content. He left them, carefully closing the front door; and when they
looked through the hall window, they saw him go up the drive and begin
to climb the slopes of withered fern behind the house. Their tongues
were loosed, and they burst into stealthy rejoicings.
"Oh,
Lucia--come back here--oh, what an awful man!"
Lucy
had no reaction--at least, not yet. "Well, he amuses me," she
said. "Either I'm mad, or else he is, and I'm inclined to think
it's the latter. One more fuss through with you, Charlotte. Many thanks.
I think, though, that this is the last. My admirer will hardly trouble
me again."
And
Miss Bartlett, too, essayed the roguish:
"Well,
it isn't every one who could boast such a conquest, dearest, is it? Oh,
one oughtn't to laugh, really. It might have been very serious. But you
were so sensible and brave--so unlike the girls of my day."
"Let's
go down to them."
But,
once in the open air, she paused. Some emotion--pity, terror, love, but
the emotion was strong--seized her, and she was aware of autumn. Summer
was ending, and the evening brought her odours of decay, the more
pathetic because they were reminiscent of spring. That something or
other mattered intellectually? A leaf, violently agitated, danced past
her, while other leaves lay motionless. That the earth was hastening to
re-enter darkness, and the shadows of those trees over Windy Corner?
"Hullo,
Lucy! There's still light enough for another set, if you two'll
hurry."
"Mr.
Emerson has had to go."
"What
a nuisance! That spoils the four. I say, Cecil, do play, do, there's a
good chap. It's Floyd's last day. Do play tennis with us, just this
once."
Cecil's
voice came: "My dear Freddy, I am no athlete. As you well remarked
this very morning, 'There are some chaps who are no good for anything
but books'; I plead guilty to being such a chap, and will not inflict
myself on you."
The
scales fell from Lucy's eyes. How had she stood Cecil for a moment? He
was absolutely intolerable, and the same evening she broke off her
engagement.
PART
ONE Chapter
II: In Santa Croce with No Baedeker Chapter
III: Music, Violets, and the Letter "S" Chapter
V: Possibilities of a Pleasant Outing Chapter
VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr.
Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett,
and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians
Drive Them. PART
TWO Chapter
IX: Lucy As a Work of Art Chapter
X: Cecil as a Humourist Chapter
XI: In Mrs. Vyse's Well-Appointed Flat Chapter
XIII: How Miss Bartlett's Boiler Was So Tiresome Chapter
XIV: How Lucy Faced the External Situation Bravely Chapter
XV: The Disaster Within Chapter
XVIII: Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and The Servants Chapter
XIX: Lying to Mr. Emerson Chapter
XX: The End of the Middle Ages
A Room With A View, by E. M.
Forster