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A
few days after the engagement was announced Mrs. Honeychurch made Lucy
and her Fiasco come to a little garden-party in the neighbourhood, for
naturally she wanted to show people that her daughter was marrying a
presentable man. Cecil
was more than presentable; he looked distinguished, and it was very
pleasant to see his slim figure keeping step with Lucy, and his long,
fair face responding when Lucy spoke to him. People congratulated Mrs.
Honeychurch, which is, I believe, a social blunder, but it pleased her,
and she introduced Cecil rather indiscriminately to some stuffy
dowagers. At
tea a misfortune took place: a cup of coffee was upset over Lucy's
figured silk, and though Lucy feigned indifference, her mother feigned
nothing of the sort but dragged her indoors to have the frock treated by
a sympathetic maid. They were gone some time, and Cecil was left with
the dowagers. When they returned he was not as pleasant as he had been. "Do
you go to much of this sort of thing?" he asked when they were
driving home. "Oh,
now and then," said Lucy, who had rather enjoyed herself. "Is
it typical of country society?" "I
suppose so. Mother, would it be?" "Plenty
of society," said Mrs. Honeychurch, who was trying to remember the
hang of one of the dresses. Seeing
that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To
me it seemed perfectly appalling, disastrous, portentous." "I
am so sorry that you were stranded." "Not
that, but the congratulations. It is so disgusting, the way an
engagement is regarded as public property--a kind of waste place where
every outsider may shoot his vulgar sentiment. All those old women
smirking!" "One
has to go through it, I suppose. They won't notice us so much next
time." "But
my point is that their whole attitude is wrong. An engagement--horrid
word in the first place--is a private matter, and should be treated as
such." Yet
the smirking old women, however wrong individually, were racially
correct. The spirit of the generations had smiled through them,
rejoicing in the engagement of Cecil and Lucy because it promised the
continuance of life on earth. To Cecil and Lucy it promised something
quite different--personal love. Hence Cecil's irritation and Lucy's
belief that his irritation was just. "How
tiresome!" she said. "Couldn't you have escaped to
tennis?" "I
don't play tennis--at least, not in public. The neighbourhood is
deprived of the romance of me being athletic. Such romance as I have is
that of the Inglese Italianato." "Inglese
Italianato?" "E
un diavolo incarnato! You know the proverb?" She
did not. Nor did it seem applicable to a young man who had spent a quiet
winter in Rome with his mother. But Cecil, since his engagement, had
taken to affect a cosmopolitan naughtiness which he was far from
possessing. "Well,"
said he, "I cannot help it if they do disapprove of me. There are
certain irremovable barriers between myself and them, and I must accept
them." "We
all have our limitations, I suppose," said wise Lucy. "Sometimes
they are forced on us, though," said Cecil, who saw from her remark
that she did not quite understand his position. "How?" "It
makes a difference doesn't it, whether we fully fence ourselves in, or
whether we are fenced out by the barriers of others?" She
thought a moment, and agreed that it did make a difference. "Difference?"
cried Mrs. Honeychurch, suddenly alert. "I don't see any
difference. Fences are fences, especially when they are in the same
place." "We
were speaking of motives," said Cecil, on whom the interruption
jarred. "My
dear Cecil, look here." She spread out her knees and perched her
card-case on her lap. "This is me. That's Windy Corner. The rest of
the pattern is the other people. Motives are all very well, but the
fence comes here." "We
weren't talking of real fences," said Lucy, laughing. "Oh,
I see, dear--poetry." She
leant placidly back. Cecil wondered why Lucy had been amused. "I
tell you who has no 'fences,' as you call them," she said,
"and that's Mr. Beebe." "A
parson fenceless would mean a parson defenceless." Lucy
was slow to follow what people said, but quick enough to detect what
they meant. She missed Cecil's epigram, but grasped the feeling that
prompted it. "Don't
you like Mr. Beebe?" she asked thoughtfully. "I
never said so!" he cried. "I consider him far above the
average. I only denied--" And he swept off on the subject of fences
again, and was brilliant. "Now,
a clergyman that I do hate," said she wanting to say something
sympathetic, "a clergyman that does have fences, and the most
dreadful ones, is Mr. Eager, the English chaplain at Florence. He was
truly insincere--not merely the manner unfortunate. He was a snob, and
so conceited, and he did say such unkind things." "What
sort of things?" "There
was an old man at the Bertolini whom he said had murdered his
wife." "Perhaps
he had." "No!" "Why
'no'?" "He
was such a nice old man, I'm sure." Cecil
laughed at her feminine inconsequence. "Well,
I did try to sift the thing. Mr. Eager would never come to the point. He
prefers it vague--said the old man had 'practically' murdered his
wife--had murdered her in the sight of God." "Hush,
dear!" said Mrs. Honeychurch absently.
"But isn't it
intolerable that a person whom we're told to imitate should go round
spreading slander? It was, I believe, chiefly owing to him that the old
man was dropped. People pretended he was vulgar, but he certainly wasn't
that." "Poor
old man! What was his name?" "Harris,"
said Lucy glibly. "Let's
hope that Mrs. Harris there warn't no sich person," said her
mother. Cecil
nodded intelligently. "Isn't
Mr. Eager a parson of the cultured type?" he asked. "I
don't know. I hate him. I've heard him lecture on Giotto. I hate him.
Nothing can hide a petty nature. I HATE him." "My
goodness gracious me, child!" said Mrs. Honeychurch. "You'll
blow my head off! Whatever is there to shout over? I forbid you and
Cecil to hate any more clergymen." He
smiled. There was indeed something rather incongruous in Lucy's moral
outburst over Mr. Eager. It was as if one should see the Leonardo on the
ceiling of the Sistine. He longed to hint to her that not here lay her
vocation; that a woman's power and charm reside in mystery, not in
muscular rant. But possibly rant is a sign of vitality: it mars the
beautiful creature, but shows that she is alive. After a moment, he
contemplated her flushed face and excited gestures with a certain
approval. He forebore to repress the sources of youth. Nature--simplest
of topics, he thought--lay around them. He praised the pine-woods, the
deep lasts of bracken, the crimson leaves that spotted the hurt-bushes,
the serviceable beauty of the turnpike road. The outdoor world was not
very familiar to him, and occasionally he went wrong in a question of
fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual
green of the larch. "I
count myself a lucky person," he concluded, "When I'm in
London I feel I could never live out of it. When I'm in the country I
feel the same about the country. After all, I do believe that birds and
trees and the sky are the most wonderful things in life, and that the
people who live amongst them must be the best. It's true that in nine
cases out of ten they don't seem to notice anything. The country
gentleman and the country labourer are each in their way the most
depressing of companions. Yet they may have a tacit sympathy with the
workings of Nature which is denied to us of the town. Do you feel that,
Mrs. Honeychurch?" Mrs.
Honeychurch started and smiled. She had not been attending. Cecil, who
was rather crushed on the front seat of the Victoria, felt irritable,
and determined not to say anything interesting again. Lucy
had not attended either. Her brow was wrinkled, and she still looked
furiously cross--the result, he concluded, of too much moral gymnastics.
It was sad to see her thus blind to the beauties of an August wood. "'Come
down, O maid, from yonder mountain height,'" he quoted, and touched
her knee with his own. She
flushed again and said: "What height?" "'Come
down, O maid, from yonder mountain height, What pleasure lives in height
(the shepherd sang). In height and in the splendour of the hills?' "Summer
Street, of course," said Lucy, and roused herself. The
woods had opened to leave space for a sloping triangular meadow. Pretty
cottages lined it on two sides, and the upper and third side was
occupied by a new stone church, expensively simple, a charming shingled
spire. Mr. Beebe's house was near the church. In height it scarcely
exceeded the cottages. Some great mansions were at hand, but they were
hidden in the trees. The scene suggested a Swiss Alp rather than the
shrine and centre of a leisured world, and was marred only by two ugly
little villas-- the villas that had competed with Cecil's engagement,
having been acquired by Sir Harry Otway the very afternoon that Lucy had
been acquired by Cecil. "Cissie"
was the name of one of these villas, "Albert" of the other.
These titles were not only picked out in shaded Gothic on the garden
gates, but appeared a second time on the porches, where they followed
the semicircular curve of the entrance arch in block capitals.
"Albert" was inhabited. His tortured garden was bright with
geraniums and lobelias and polished shells. His little windows were
chastely swathed in Nottingham lace. "Cissie" was to let.
Three notice-boards, belonging to Dorking agents, lolled on her fence
and announced the not surprising fact. Her paths were already weedy; her
pocket-handkerchief of a lawn was yellow with dandelions. "The
place is ruined!" said the ladies mechanically. "Summer Street
will never be the same again." As
the carriage passed, "Cissie's" door opened, and a gentleman
came out of her. "Stop!"
cried Mrs. Honeychurch, touching the coachman with her parasol.
"Here's Sir Harry. Now we shall know. Sir Harry, pull those things
down at once!" Sir
Harry Otway--who need not be described--came to the carriage and said
"Mrs. Honeychurch, I meant to. I can't, I really can't turn out
Miss Flack." "Am
I not always right? She ought to have gone before the contract was
signed. Does she still live rent free, as she did in her nephew's
time?" "But
what can I do?" He lowered his voice. "An old lady, so very
vulgar, and almost bedridden." "Turn
her out," said Cecil bravely. Sir
Harry sighed, and looked at the villas mournfully. He had had full
warning of Mr. Flack's intentions, and might have bought the plot before
building commenced: but he was apathetic and dilatory. He had known
Summer Street for so many years that he could not imagine it being
spoilt. Not till Mrs. Flack had laid the foundation stone, and the
apparition of red and cream brick began to rise did he take alarm. He
called on Mr. Flack, the local builder,--a most reasonable and
respectful man--who agreed that tiles would have made more artistic
roof, but pointed out that slates were cheaper. He ventured to differ,
however, about the Corinthian columns which were to cling like leeches
to the frames of the bow windows, saying that, for his part, he liked to
relieve the facade by a bit of decoration. Sir Harry hinted that a
column, if possible, should be structural as well as decorative. Mr.
Flack replied that all the columns had been ordered, adding, "and
all the capitals different--one with dragons in the foliage, another
approaching to the Ionian style, another introducing Mrs. Flack's
initials--every one different." For he had read his Ruskin. He
built his villas according to his desire; and not until he had inserted
an immovable aunt into one of them did Sir Harry buy. This
futile and unprofitable transaction filled the knight with sadness as he
leant on Mrs. Honeychurch's carriage. He had failed in his duties to the
country-side, and the country-side was laughing at him as well. He had
spent money, and yet Summer Street was spoilt as much as ever. All he
could do now was to find a desirable tenant for "Cissie"--some
one really desirable. "The
rent is absurdly low," he told them, "and perhaps I am an easy
landlord. But it is such an awkward size. It is too large for the
peasant class and too small for any one the least like ourselves." Cecil
had been hesitating whether he should despise the villas or despise Sir
Harry for despising them. The latter impulse seemed the more fruitful. "You
ought to find a tenant at once," he said maliciously. "It
would be a perfect paradise for a bank clerk." "Exactly!"
said Sir Harry excitedly. "That is exactly what I fear, Mr. Vyse.
It will attract the wrong type of people. The train service has
improved--a fatal improvement, to my mind. And what are five miles from
a station in these days of bicycles?" "Rather
a strenuous clerk it would be," said Lucy. Cecil,
who had his full share of mediaeval mischievousness, replied that the
physique of the lower middle classes was improving at a most appalling
rate. She saw that he was laughing at their harmless neighbour, and
roused herself to stop him. "Sir
Harry!" she exclaimed, "I have an idea. How would you like
spinsters?" "My
dear Lucy, it would be splendid. Do you know any such?" "Yes;
I met them abroad." "Gentlewomen?"
he asked tentatively. "Yes,
indeed, and at the present moment homeless. I heard from them last
week--Miss Teresa and Miss Catharine Alan. I'm really not joking. They
are quite the right people. Mr. Beebe knows them, too. May I tell them
to write to you?" "Indeed
you may!" he cried. "Here we are with the difficulty solved
already. How delightful it is!
Extra facilities--please tell them they shall have extra
facilities, for I shall have no agents' fees. Oh, the agents! The
appalling people they have sent me! One woman, when I wrote--a tactful
letter, you know--asking her to explain her social position to me,
replied that she would pay the rent in advance. As if one cares about
that! And several references I took up were most unsatisfactory--people
swindlers, or not respectable. And oh, the deceit! I have seen a good
deal of the seamy side this last week. The deceit of the most promising
people. My dear Lucy, the deceit!" She
nodded. "My
advice," put in Mrs. Honeychurch, "is to have nothing to do
with Lucy and her decayed gentlewomen at all. I know the type. Preserve
me from people who have seen better days, and bring heirlooms with them
that make the house smell stuffy. It's a sad thing, but I'd far rather
let to some one who is going up in the world than to some one who has
come down." "I
think I follow you," said Sir Harry; "but it is, as you say, a
very sad thing." "The
Misses Alan aren't that!" cried Lucy. "Yes,
they are," said Cecil. "I haven't met them but I should say
they were a highly unsuitable addition to the neighbourhood." "Don't
listen to him, Sir Harry--he's tiresome." "It's
I who am tiresome," he replied. "I oughtn't to come with my
troubles to young people. But really I am so worried, and Lady Otway
will only say that I cannot be too careful, which is quite true, but no
real help." "Then
may I write to my Misses Alan?" "Please!" But
his eye wavered when Mrs. Honeychurch exclaimed: "Beware!
They are certain to have canaries. Sir Harry, beware of canaries: they
spit the seed out through the bars of the cages and then the mice come.
Beware of women altogether. Only let to a man." "Really--"
he murmured gallantly, though he saw the wisdom of her remark. "Men
don't gossip over tea-cups. If they get drunk, there's an end of
them--they lie down comfortably and sleep it off. If they're vulgar,
they somehow keep it to themselves. It doesn't spread so. Give me a
man--of course, provided he's clean." Sir
Harry blushed. Neither he nor Cecil enjoyed these open compliments to
their sex. Even the exclusion of the dirty did not leave them much
distinction. He suggested that Mrs. Honeychurch, if she had time, should
descend from the carriage and inspect "Cissie" for herself.
She was delighted. Nature had intended her to be poor and to live in
such a house. Domestic arrangements always attracted her, especially
when they were on a small scale. Cecil
pulled Lucy back as she followed her mother. "Mrs.
Honeychurch," he said, "what if we two walk home and leave
you?" "Certainly!"
was her cordial reply. Sir
Harry likewise seemed almost too glad to get rid of them. He beamed at
them knowingly, said, "Aha! young people, young people!" and
then hastened to unlock the house. "Hopeless
vulgarian!" exclaimed Cecil, almost before they were out of
earshot, "Oh,
Cecil!" "I
can't help it. It would be wrong not to loathe that man." "He
isn't clever, but really he is nice." "No,
Lucy, he stands for all that is bad in country life. In London he would
keep his place. He would belong to a brainless club, and his wife would
give brainless dinner parties. But down here he acts the little god with
his gentility, and his patronage, and his sham aesthetics, and every
one--even your mother--is taken in." "All
that you say is quite true," said Lucy, though she felt
discouraged. "I wonder whether--whether it matters so very
much." "It
matters supremely. Sir Harry is the essence of that garden-party. Oh,
goodness, how cross I feel! How I do hope he'll get some vulgar tenant
in that villa--some woman so really vulgar that he'll notice it.
GENTLEFOLKS! Ugh! with his bald head and retreating chin! But let's
forget him." This
Lucy was glad enough to do. If Cecil disliked Sir Harry Otway and Mr.
Beebe, what guarantee was there that the people who really mattered to
her would escape? For instance, Freddy. Freddy was neither clever, nor
subtle, nor beautiful, and what prevented Cecil from saying, any minute,
"It would be wrong not to loathe Freddy"? And what would she
reply? Further than Freddy she did not go, but he gave her anxiety
enough. She could only assure herself that Cecil had known Freddy some
time, and that they had always got on pleasantly, except, perhaps,
during the last few days, which was an accident, perhaps. "Which
way shall we go?" she asked him. Nature--simplest
of topics, she thought--was around them. Summer Street lay deep in the
woods, and she had stopped where a footpath diverged from the highroad. "Are
there two ways?" "Perhaps
the road is more sensible, as we're got up smart." "I'd
rather go through the wood," said Cecil, with that subdued
irritation that she had noticed in him all the afternoon. "Why is
it, Lucy, that you always say the road? Do you know that you have never
once been with me in the fields or the wood since we were engaged?" "Haven't
I? The wood, then," said Lucy, startled at his queerness, but
pretty sure that he would explain later; it was not his habit to leave
her in doubt as to his meaning. She
led the way into the whispering pines, and sure enough he did explain
before they had gone a dozen yards. "I
had got an idea--I dare say wrongly--that you feel more at home with me
in a room." "A
room?" she echoed, hopelessly bewildered. "Yes.
Or, at the most, in a garden, or on a road. Never in the real country
like this." "Oh,
Cecil, whatever do you mean? I have never felt anything of the sort. You
talk as if I was a kind of poetess sort of person." "I
don't know that you aren't. I connect you with a view--a certain type of
view. Why shouldn't you connect me with a room?" She
reflected a moment, and then said, laughing: "Do
you know that you're right? I do. I must be a poetess after all. When I
think of you it's always as in a room. How funny!" To
her surprise, he seemed annoyed. "A
drawing-room, pray? With no view?" "Yes,
with no view, I fancy. Why not?" "I'd
rather," he said reproachfully, "that connected me with the
open air." She
said again, "Oh, Cecil, whatever do you mean?" As
no explanation was forthcoming, she shook off the subject as too
difficult for a girl, and led him further into the wood, pausing every
now and then at some particularly beautiful or familiar combination of
the trees. She had known the wood between Summer Street and Windy Corner
ever since she could walk alone; she had played at losing Freddy in it,
when Freddy was a purple-faced baby; and though she had been to Italy,
it had lost none of its charm. Presently
they came to a little clearing among the pines--another tiny green alp,
solitary this time, and holding in its bosom a shallow pool. She
exclamed, "The Sacred Lake!" "Why
do you call it that?" "I
can't remember why. I suppose it comes out of some book. It's only a
puddle now, but you see that stream going through it? Well, a good deal
of water comes down after heavy rains, and can't get away at once, and
the pool becomes quite large and beautiful. Then Freddy used to bathe
there. He is very fond of it." "And
you?" He
meant, "Are you fond of it?" But she answered dreamily,
"I bathed here, too, till I was found out. Then there was a
row." At
another time he might have been shocked, for he had depths of
prudishness within him. But now? With his momentary cult of the fresh
air, he was delighted at her admirable simplicity. He looked at her as
she stood by the pool's edge. She was got up smart, as she phrased it,
and she reminded him of some brilliant flower that has no leaves of its
own, but blooms abruptly out of a world of green. "Who
found you out?" "Charlotte,"
she murmured. "She was stopping with us. Charlotte--
Charlotte." "Poor
girl!" She
smiled gravely. A certain scheme, from which hitherto he had shrank, now
appeared practical. "Lucy!" "Yes,
I suppose we ought to be going," was her reply. "Lucy,
I want to ask something of you that I have never asked before." At
the serious note in his voice she stepped frankly and kindly towards
him. "What,
Cecil?" "Hitherto
never--not even that day on the lawn when you agreed to marry me--" He
became self-conscious and kept glancing round to see if they were
observed. His courage had gone. "Yes?" "Up
to now I have never kissed you." She
was as scarlet as if he had put the thing most indelicately. "No--more
you have," she stammered. "Then
I ask you--may I now?" "Of
course, you may, Cecil. You might before. I can't run at you, you
know." At
that supreme moment he was conscious of nothing but absurdities. Her
reply was inadequate. She gave such a business-like lift to her veil. As
he approached her he found time to wish that he could recoil. As he
touched her, his gold pince-nez became dislodged and was flattened
between them. Such
was the embrace. He considered, with truth, that it had been a failure.
Passion should believe itself irresistible. It should forget civility
and consideration and all the other curses of a refined nature. Above
all, it should never ask for leave where there is a right of way. Why
could he not do as any labourer or navvy--nay, as any young man behind
the counter would have done? He recast the scene. Lucy was standing
flowerlike by the water, he rushed up and took her in his arms; she
rebuked him, permitted him and revered him ever after for his manliness.
For he believed that women revere men for their manliness. They
left the pool in silence, after this one salutation. He waited for her
to make some remark which should show him her inmost thoughts. At last
she spoke, and with fitting gravity. "Emerson
was the name, not Harris." "What
name?" "The
old man's." "What
old man?" "That
old man I told you about. The one Mr. Eager was so unkind to." He
could not know that this was the most intimate conversation they had
ever had.
PART
ONE Chapter
II: In Santa Croce with No Baedeker Chapter
III: Music, Violets, and the Letter "S" Chapter
V: Possibilities of a Pleasant Outing Chapter
VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr.
Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett,
and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians
Drive Them. PART
TWO Chapter
IX: Lucy As a Work of Art Chapter
X: Cecil as a Humourist Chapter
XI: In Mrs. Vyse's Well-Appointed Flat Chapter
XIII: How Miss Bartlett's Boiler Was So Tiresome Chapter
XIV: How Lucy Faced the External Situation Bravely Chapter
XV: The Disaster Within Chapter
XVIII: Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and The Servants Chapter
XIX: Lying to Mr. Emerson Chapter
XX: The End of the Middle Ages
A Room With A View, by E. M.
Forster