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It
so happened that Lucy, who found daily life rather chaotic, entered a
more solid world when she opened the piano. She was then no longer
either deferential or patronizing; no longer either a rebel or a slave.
The kingdom of music is not the kingdom of this world; it will accept
those whom breeding and intellect and culture have alike rejected. The
commonplace person begins to play, and shoots into the empyrean without
effort, whilst we look up, marvelling how he has escaped us, and
thinking how we could worship him and love him, would he but translate
his visions into human words, and his experiences into human actions.
Perhaps he cannot; certainly he does not, or does so very seldom. Lucy
had done so never. She
was no dazzling executante; her runs were not at all like strings of
pearls, and she struck no more right notes than was suitable for one of
her age and situation. Nor was she the passionate young lady, who
performs so tragically on a summer's evening with the window open.
Passion was there, but it could not be easily labelled; it slipped
between love and hatred and jealousy, and all the furniture of the
pictorial style. And she was tragical only in the sense that she was
great, for she loved to play on the side of Victory. Victory of what and
over what-- that is more than the words of daily life can tell us. But
that some sonatas of Beethoven are written tragic no one can gainsay;
yet they can triumph or despair as the player decides, and Lucy had
decided that they should triumph. A
very wet afternoon at the Bertolini permitted her to do the thing she
really liked, and after lunch she opened the little draped piano. A few
people lingered round and praised her playing, but finding that she made
no reply, dispersed to their rooms to write up their diaries or to
sleep. She took no notice of Mr. Emerson looking for his son, nor of
Miss Bartlett looking for Miss Lavish, nor of Miss Lavish looking for
her cigarette-case. Like every true performer, she was intoxicated by
the mere feel of the notes: they were fingers caressing her own; and by
touch, not by sound alone, did she come to her desire. Mr.
Beebe, sitting unnoticed in the window, pondered this illogical element
in Miss Honeychurch, and recalled the occasion at Tunbridge Wells when
he had discovered it. It was at one of those entertainments where the
upper classes entertain the lower. The seats were filled with a
respectful audience, and the ladies and gentlemen of the parish, under
the auspices of their vicar, sang, or recited, or imitated the drawing
of a champagne cork. Among the promised items was "Miss Honeychurch.
Piano. Beethoven," and Mr. Beebe was wondering whether it would be
Adelaida, or the march of The Ruins of Athens, when his composure was
disturbed by the opening bars of Opus III. He was in suspense all
through the introduction, for not until the pace quickens does one know
what the performer intends. With the roar of the opening theme he knew
that things were going extraordinarily; in the chords that herald the
conclusion he heard the hammer strokes of victory. He was glad that she
only played the first movement, for he could have paid no attention to
the winding intricacies of the measures of nine-sixteen. The audience
clapped, no less respectful. It was Mr. Beebe who started the stamping;
it was all that one could do. "Who
is she?" he asked the vicar afterwards. "Cousin
of one of my parishioners. I do not consider her choice of a piece
happy. Beethoven is so usually simple and direct in his appeal that it
is sheer perversity to choose a thing like that, which, if anything,
disturbs." "Introduce
me." "She
will be delighted. She and Miss Bartlett are full of the praises of your
sermon." "My
sermon?" cried Mr. Beebe. "Why ever did she listen to
it?" When
he was introduced he understood why, for Miss Honeychurch, disjoined
from her music stool, was only a young lady with a quantity of dark hair
and a very pretty, pale, undeveloped face. She loved going to concerts,
she loved stopping with her cousin, she loved iced coffee and meringues.
He did not doubt that she loved his sermon also. But before he left
Tunbridge Wells he made a remark to the vicar, which he now made to Lucy
herself when she closed the little piano and moved dreamily towards him:
"If
Miss Honeychurch ever takes to live as she plays, it will be very
exciting both for us and for her." Lucy
at once re-entered daily life. "Oh,
what a funny thing! Some one said just the same to mother, and she said
she trusted I should never live a duet." "Doesn't
Mrs. Honeychurch like music?" "She
doesn't mind it. But she doesn't like one to get excited over anything;
she thinks I am silly about it. She thinks--I can't make out. Once, you
know, I said that I liked my own playing better than any one's. She has
never got over it. Of course, I didn't mean that I played well; I only
meant--" "Of
course," said he, wondering why she bothered to explain.
"Music--"
said Lucy, as if attempting some generality. She could not complete it,
and looked out absently upon Italy in the wet. The whole life of the
South was disorganized, and the most graceful nation in Europe had
turned into formless lumps of clothes. The
street and the river were dirty yellow, the bridge was dirty grey, and
the hills were dirty purple. Somewhere in their folds were concealed
Miss Lavish and Miss Bartlett, who had chosen this afternoon to visit
the Torre del Gallo. "What
about music?" said Mr. Beebe. "Poor
Charlotte will be sopped," was Lucy's reply. The
expedition was typical of Miss Bartlett, who would return cold, tired,
hungry, and angelic, with a ruined skirt, a pulpy Baedeker, and a
tickling cough in her throat. On another day, when the whole world was
singing and the air ran into the mouth like wine, she would refuse to
stir from the drawing-room, saying that she was an old thing, and no fit
companion for a hearty girl. "Miss
Lavish has led your cousin astray. She hopes to find the true Italy in
the wet I believe." "Miss
Lavish is so original," murmured Lucy. This was a stock remark, the
supreme achievement of the Pension Bertolini in the way of definition.
Miss Lavish was so original. Mr. Beebe had his doubts, but they would
have been put down to clerical narrowness. For that, and for other
reasons, he held his peace. "Is
it true," continued Lucy in awe-struck tone, "that Miss Lavish
is writing a book?" "They
do say so." "What
is it about?" "It
will be a novel," replied Mr. Beebe, "dealing with modern
Italy. Let me refer you for an account to Miss Catharine Alan, who uses
words herself more admirably than any one I know." "I
wish Miss Lavish would tell me herself. We started such friends. But I
don't think she ought to have run away with Baedeker that morning in
Santa Croce. Charlotte was most annoyed at finding me practically alone,
and so I couldn't help being a little annoyed with Miss Lavish."
"The
two ladies, at all events, have made it up." He
was interested in the sudden friendship between women so apparently
dissimilar as Miss Bartlett and Miss Lavish. They were always in each
other's company, with Lucy a slighted third. Miss Lavish he believed he
understood, but Miss Bartlett might reveal unknown depths of
strangeness, though not perhaps, of meaning. Was Italy deflecting her
from the path of prim chaperon, which he had assigned to her at
Tunbridge Wells? All his life he had loved to study maiden ladies; they
were his specialty, and his profession had provided him with ample
opportunities for the work. Girls like Lucy were charming to look at,
but Mr. Beebe was, from rather profound reasons, somewhat chilly in his
attitude towards the other sex, and preferred to be interested rather
than enthralled. Lucy,
for the third time, said that poor Charlotte would be sopped. The Arno
was rising in flood, washing away the traces of the little carts upon
the foreshore. But in the south-west there had appeared a dull haze of
yellow, which might mean better weather if it did not mean worse. She
opened the window to inspect, and a cold blast entered the room, drawing
a plaintive cry from Miss Catharine Alan, who entered at the same moment
by the door. "Oh,
dear Miss Honeychurch, you will catch a chill! And Mr. Beebe here
besides. Who would suppose this is Italy? There is my sister actually
nursing the hot-water can; no comforts or proper provisions."
She
sidled towards them and sat down, self-conscious as she always was on
entering a room which contained one man, or a man and one woman.
"I
could hear your beautiful playing, Miss Honeychurch, though I was in my
room with the door shut. Doors shut; indeed, most necessary. No one has
the least idea of privacy in this country. And one person catches it
from another." Lucy
answered suitably. Mr. Beebe was not able to tell the ladies of his
adventure at Modena, where the chambermaid burst in upon him in his
bath, exclaiming cheerfully, "Fa niente, sono vecchia." He
contented himself with saying: "I quite agree with you, Miss Alan.
The Italians are a most unpleasant people. They pry everywhere, they see
everything, and they know what we want before we know it ourselves. We
are at their mercy. They read our thoughts, they foretell our desires.
From the cab-driver down to--to Giotto, they turn us inside out, and I
resent it. Yet in their heart of hearts they are--how superficial! They
have no conception of the intellectual life. How right is Signora
Bertolini, who exclaimed to me the other day: 'Ho, Mr. Beebe, if you
knew what I suffer over the children's edjucaishion. HI won't 'ave my
little Victorier taught by a hignorant Italian what can't explain
nothink!'" Miss
Alan did not follow, but gathered that she was being mocked in an
agreeable way. Her sister was a little disappointed in Mr. Beebe, having
expected better things from a clergyman whose head was bald and who wore
a pair of russet whiskers. Indeed, who would have supposed that
tolerance, sympathy, and a sense of humour would inhabit that militant
form? In
the midst of her satisfaction she continued to sidle, and at last the
cause was disclosed. From the chair beneath her she extracted a
gun-metal cigarette-case, on which were powdered in turquoise the
initials "E. L." "That
belongs to Lavish." said the clergyman. "A good fellow,
Lavish, but I wish she'd start a pipe." "Oh,
Mr. Beebe," said Miss Alan, divided between awe and mirth.
"Indeed, though it is dreadful for her to smoke, it is not quite as
dreadful as you suppose. She took to it, practically in despair, after
her life's work was carried away in a landslip. Surely that makes it
more excusable." "What
was that?" asked Lucy. Mr.
Beebe sat back complacently, and Miss Alan began as follows: "It
was a novel--and I am afraid, from what I can gather, not a very nice
novel. It is so sad when people who have abilities misuse them, and I
must say they nearly always do. Anyhow, she left it almost finished in
the Grotto of the Calvary at the Capuccini Hotel at Amalfi while she
went for a little ink. She said: 'Can I have a little ink, please?' But
you know what Italians are, and meanwhile the Grotto fell roaring on to
the beach, and the saddest thing of all is that she cannot remember what
she has written. The poor thing was very ill after it, and so got
tempted into cigarettes. It is a great secret, but I am glad to say that
she is writing another novel. She told Teresa and Miss Pole the other
day that she had got up all the local colour--this novel is to be about
modern Italy; the other was historical--but that she could not start
till she had an idea. First she tried Perugia for an inspiration, then
she came here-- this must on no account get round. And so cheerful
through it all! I cannot help thinking that there is something to admire
in every one, even if you do not approve of them." Miss
Alan was always thus being charitable against her better judgment. A
delicate pathos perfumed her disconnected remarks, giving them
unexpected beauty, just as in the decaying autumn woods there sometimes
rise odours reminiscent of spring. She felt she had made almost too many
allowances, and apologized hurriedly for her toleration. "All
the same, she is a little too--I hardly like to say unwomanly, but she
behaved most strangely when the Emersons arrived." Mr.
Beebe smiled as Miss Alan plunged into an anecdote which he knew she
would be unable to finish in the presence of a gentleman. "I
don't know, Miss Honeychurch, if you have noticed that Miss Pole, the
lady who has so much yellow hair, takes lemonade. That old Mr. Emerson,
who puts things very strangely--" Her
jaw dropped. She was silent. Mr. Beebe, whose social resources were
endless, went out to order some tea, and she continued to Lucy in a
hasty whisper: "Stomach.
He warned Miss Pole of her stomach-acidity, he called it--and he may
have meant to be kind. I must say I forgot myself and laughed; it was so
sudden. As Teresa truly said, it was no laughing matter. But the point
is that Miss Lavish was positively ATTRACTED by his mentioning S., and
said she liked plain speaking, and meeting different grades of thought.
She thought they were commercial travellers--'drummers' was the word she
used--and all through dinner she tried to prove that England, our great
and beloved country, rests on nothing but commerce. Teresa was very much
annoyed, and left the table before the cheese, saying as she did so:
'There, Miss Lavish, is one who can confute you better than I,' and
pointed to that beautiful picture of Lord Tennyson. Then Miss Lavish
said: 'Tut! The early Victorians.' Just imagine! 'Tut! The early
Victorians.' My sister had gone, and I felt bound to speak. I said:
'Miss Lavish, I am an early Victorian; at least, that is to say, I will
hear no breath of censure against our dear Queen.' It was horrible
speaking. I reminded her how the Queen had been to Ireland when she did
not want to go, and I must say she was dumbfounded, and made no reply.
But, unluckily, Mr. Emerson overheard this part, and called in his deep
voice: 'Quite so, quite so! I honour the woman for her Irish visit.' The
woman! I tell things so badly; but you see what a tangle we were in by
this time, all on account of S. having been mentioned in the first
place. But that was not all. After dinner Miss Lavish actually came up
and said: 'Miss Alan, I am going into the smoking-room to talk to those
two nice men. Come, too.' Needless to say, I refused such an unsuitable
invitation, and she had the impertinence to tell me that it would
broaden my ideas, and said that she had four brothers, all University
men, except one who was in the army, who always made a point of talking
to commercial travellers." "Let
me finish the story," said Mr. Beebe, who had returned.
"Miss
Lavish tried Miss Pole, myself, every one, and finally said: 'I shall go
alone.' She went. At the end of five minutes she returned unobtrusively
with a green baize board, and began playing Patience."
"Whatever
happened?" cried Lucy. "No
one knows. No one will ever know. Miss Lavish will never dare to tell,
and Mr. Emerson does not think it worth telling." "Mr.
Beebe--old Mr. Emerson, is he nice or not nice? I do so want to
know." Mr.
Beebe laughed and suggested that she should settle the question for
herself. "No;
but it is so difficult. Sometimes he is so silly, and then I do not mind
him. Miss Alan, what do you think? Is he nice?" The
little old lady shook her head, and sighed disapprovingly. Mr. Beebe,
whom the conversation amused, stirred her up by saying: "I
consider that you are bound to class him as nice, Miss Alan, after that
business of the violets." "Violets?
Oh, dear! Who told you about the violets? How do things get round? A
pension is a bad place for gossips. No, I cannot forget how they behaved
at Mr. Eager's lecture at Santa Croce. Oh, poor Miss Honeychurch! It
really was too bad. No, I have quite changed. I do NOT like the Emersons.
They are not nice." Mr.
Beebe smiled nonchalantly. He had made a gentle effort to introduce the
Emersons into Bertolini society, and the effort had failed. He was
almost the only person who remained friendly to them. Miss Lavish, who
represented intellect, was avowedly hostile, and now the Miss Alans, who
stood for good breeding, were following her. Miss Bartlett, smarting
under an obligation, would scarcely be civil. The case of Lucy was
different. She had given him a hazy account of her adventures in Santa
Croce, and he gathered that the two men had made a curious and possibly
concerted attempt to annex her, to show her the world from their own
strange standpoint, to interest her in their private sorrows and joys.
This was impertinent; he did not wish their cause to be championed by a
young girl: he would rather it should fail. After all, he knew nothing
about them, and pension joys, pension sorrows, are flimsy things;
whereas Lucy would be his parishioner. Lucy,
with one eye upon the weather, finally said that she thought the
Emersons were nice; not that she saw anything of them now. Even their
seats at dinner had been moved. "But
aren't they always waylaying you to go out with them, dear?" said
the little lady inquisitively. "Only
once. Charlotte didn't like it, and said something--quite politely, of
course." "Most
right of her. They don't understand our ways. They must find their
level." Mr.
Beebe rather felt that they had gone under. They had given up their
attempt--if it was one--to conquer society, and now the father was
almost as silent as the son. He wondered whether he would not plan a
pleasant day for these folk before they left-- some expedition, perhaps,
with Lucy well chaperoned to be nice to them. It was one of Mr. Beebe's
chief pleasures to provide people with happy memories. Evening
approached while they chatted; the air became brighter; the colours on
the trees and hills were purified, and the Arno lost its muddy solidity
and began to twinkle. There were a few streaks of bluish-green among the
clouds, a few patches of watery light upon the earth, and then the
dripping facade of San Miniato shone brilliantly in the declining sun.
"Too
late to go out," said Miss Alan in a voice of relief. "All the
galleries are shut." "I
think I shall go out," said Lucy. "I want to go round the town
in the circular tram--on the platform by the driver."
Her
two companions looked grave. Mr. Beebe, who felt responsible for her in
the absence of Miss Bartlett, ventured to say: "I
wish we could. Unluckily I have letters. If you do want to go out alone,
won't you be better on your feet?" "Italians,
dear, you know," said Miss Alan. "Perhaps
I shall meet some one who reads me through and through!"
But
they still looked disapproval, and she so far conceded to Mr. Beebe as
to say that she would only go for a little walk, and keep to the street
frequented by tourists. "She
oughtn't really to go at all," said Mr. Beebe, as they watched her
from the window, "and she knows it. I put it down to too much
Beethoven."
PART
ONE Chapter
II: In Santa Croce with No Baedeker Chapter
III: Music, Violets, and the Letter "S" Chapter
V: Possibilities of a Pleasant Outing Chapter
VI: The Reverend Arthur Beebe, the Reverend Cuthbert Eager, Mr.
Emerson, Mr. George Emerson, Miss Eleanor Lavish, Miss Charlotte Bartlett,
and Miss Lucy Honeychurch Drive Out in Carriages to See a View; Italians
Drive Them. PART
TWO Chapter
IX: Lucy As a Work of Art Chapter
X: Cecil as a Humourist Chapter
XI: In Mrs. Vyse's Well-Appointed Flat Chapter
XIII: How Miss Bartlett's Boiler Was So Tiresome Chapter
XIV: How Lucy Faced the External Situation Bravely Chapter
XV: The Disaster Within Chapter
XVIII: Lying to Mr. Beebe, Mrs. Honeychurch, Freddy, and The Servants Chapter
XIX: Lying to Mr. Emerson Chapter
XX: The End of the Middle Ages
A Room With A View, by E. M.
Forster