Candida Martinelli's Italophile Site

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The de' Medici Dynasty

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The family's history parallels Italy's history.  I've divided it into sections listed in the left column.

This concise history is a helpful guide to read before traveling to Florence and the Vatican.  

 

 

The de' Medici Dynasty and Italian History

The Late-Middle-Ages, Early Renaissance, Giovanni:  The Founder

The Early Renaissance, Cosimo and Lorenzo:  The Elders

The High Renaissance, Piero and his son, Lorenzo the Magnificent

Florentine Independence and the End of the Florentine Renaissance, Piero II and Lorenzo II in Exile

The Roman Renaissance, Cardinal Giulio de' Medici and Pope Leo X (Giovanni de' Medici)

The End of Florentine Independence, Pope Clement VII (Giulio de' Medici), Alessandro, and Caterina de' Medici

The Late Renaissance, The Grand Duke and Duchess of Tuscany:  Cosimo de' Medici and Eleonora di Toledo

The Age of Discovery, Francesco and Ferdinando:  Two Very Different Brothers

The Age of Reason and The Enlightenment, The Decline of de' Medici Reason and Enlightened Governance

 

 

Santa Croce Church

 

 

 

 

 

Shopping on the Old Bridge, Il Ponte Vecchio

 

 

View of the Arno River and the Old Bridge

 

 

The Entrances to the Town Hall (l) and the Uffizi Galleries (r)

 

 

The Uffizi Galleries from Across the River, Vasari's Corridor on the left above the Arches

 

 

Pitti Palace from the Boboli Gardens

 

 

The Fountain of Neptune in the Boboli Gardens

 

The Main Square, Piazza delle Signorie

 

 

Horse and Buggy in the Main Square

 

 

The Main Shopping Street off the Main Square

 

 

 

 

 

 

Side Street and Entrance to the Town Hall

 

 

Boboli Garden Viale

 

 Villa Medicee II

 

 

 Villa dell'Ambrogiana

 

 

 Villa del Trebbio

 

 

 Villa Cafaggiolo

 

 

 Villa di Castello 

 

 

 Villa La Petraia

 

 

 Villa Medicee I

 

A View of Florence, Approaching from the Hills

 

 

Florence's Cathedral

 

 

Arno River and the 'Ponte Vecchio'

 

 

View Leaving Florence for the Hills Beyond

 

 

A Sunset Over the Arno River near Florence

 

 

The Old Bridge, Il Ponte Vecchio, Lit at Night

 

 

 

 

 

 

 

 

 

 

 

 

 

Visit my Italian History pages

 

The Late Renaissance

The Grand Duke and Duchess of Tuscany:  Cosimo de' Medici and Eleonora di Toledo

Palleschi, de' Medici supporters named for the balls (palle) on the de' Medici coat-of-arms, clearly did not want Lorenzaccio to become Duke of Florence. 

They picked the elder Lorenzo de' Medici's great-great-grandson, Cosimo di' Medici for the job.  Cosimo was the son of the mercenary Giovanni delle Bande Nere (also known as Lodovico de' Medici) a highly respected mercenary leader killed defending Rome from attack. 

Cosimo's Father, Giovanni

Cosimo was next in line after Lorenzaccio, and only 18 years old.  The Palleschi argued that since Cosimo's father had married the elder Cosimo de' Medici's great-great-granddaughter, Maria Salviati, thus rejoining the senior and junior lines of the de' Medici family tree, it meant that Cosimo had greater claim to the title than his evil cousin

They also liked that Cosimo was only 18 and had been reared in the countryside, presumable leaving him politically unaware and easily manipulated.  They hoped to make him a figurehead leader while they re-established the republic.

Ambitious Cosimo agreed with their logic about his greater claim to the title.  But the Palleschi were wrong about Cosimo being politically naive. 

Cosimo turned on them, refused to marry one of their daughters, and began gathering all the strings of power into his control.  They turned on Cosimo and raised armies to oust him.  But he defeated the forces, clearly inheriting his warrior father's military skills.

  
Portrait of Duke Cosimo I de Medici Florence (1503-1572). 
 

This is a much copied official portrait used as the master-copy for all official copies for public distribution.  This is the approved image Cosimo wanted spread of himself:  in his battle armor, with delicate hands (not true), with the thoughtful expression of an intellectual (he was smart, but not an intellectual).  It also seems he had Bronzino, the artist, make his jaw softer than the heavy, square jaw Cosimo really had.  He probably looked more like this bust of him by Bandinelli, like a boxer.


Cosimo I De' Medici 1543
 

Cosimo proceeded to:

  • make himself dictator of Florence,
  • and expand his territory to include all of Tuscany. 
  • He astutely strengthened the judiciary,
  • funded public works,
  • protected the poor,
  • and set up a standing army so he didn't have to rely on mercenaries (oddly enough, his father was a famous mercenary who frequently changed sides, perhaps teaching his son a valuable lesson). 

And since he was a de' Medici, it's been said that he also gave a standing order to his emissaries to the other courts to assassinate all of Filippo Strozzi's relations whenever the opportunity presented it.  Italy is the home of the vendetta, after all. 

Later, as Cosimo became more concerned with gaining a Grand Duchy status for Tuscany, he tried to clean up the family's act, and denied any such order, and any knowledge of poisons, with great disingenuousness.

Interestingly, Cosimo commissioned a census of Florence in 1461.  It showed that there were:

  • 60,000 people living within the walls of Florence,
  • 2172 workshops,
  • 8741 homes. 

This was a severe decline from 30 or so years earlier under the Florentine Republic.  The struggle for independence had cost the city dearly. 

Cosimo worked to increase Florence's wealth and prestige, including encouraging institutions of higher education, which pleased people, but he was very careful to keep power in his hands.  He did the same throughout his territories.

Cosimo, like his cousin Alessandro before him, eventually disposed of the legitimate heir, Lorenzaccio, by sending his hit-men, yes, he had hit-men on staff, to kill him.  They took 12 years to fulfill the contract, but it was done. 

Cosimo also ordered that Alessandro's children with the daughter of Charles V be disinherited, which they were, the son dying soon after, a bit too conveniently for some, and Charles V agreed with it for political reasons. 

But Cosimo took in Alessandro's two illegitimate children, Giulia and Giulio, and brought them up with his own.

This is a portrait of Cosimo's mother, Maria Salviati (from the senior de' Medici line), and Giulia de' Medici, Alessandro's daughter, probably painted in 1542, a year before the death of Maria at the age of 44

Cosimo officially became Duke of Florence in 1537.  During his reign, Cosimo:

  • stabilized the political position of Florence by conquering all the neighboring cities,
  • restored the de' Medici family to wealth and power,
  • was patron to all the top artists and architects of the late Renaissance. 
  • He took possession by force of all of Tuscany,
  • and formed in 1569, with the support of the Emperor Massimiliano II and Pope Pius V, the territory into a Grand Duchy, making himself the first Grand Duke of Florence. 

In essence, Cosimo set up a police state and he was the despot who ruled it.  His life was always in danger, but he made a big show of walking about the town with his guard.  What only a few knew was that he wore armor under his clothes to protect himself from knife attacks.  Public Relations was in the blood. 

(I wonder if Regan's advisors knew this story when they had him wear long-woolen underwear under his clothes in Iceland for a summit with Gorbachov, so he could walk around in just a suit in the freezing cold, looking butch and tough, and younger than his years?  Who knows?) 

Villa di Castello is one of the oldest de' Medici villas, in the family since 1477, with decorations by Botticelli:  the 'Primavera' and the 'Birth of Venus' (now in The Uffizi Galleries). 

It was the favorite country estate of Cosimo I for good reason, it was where he had grown up under the care of his mother Maria Salviati.  She had kept her young son far from the political intrigues of Florence. 

When he took over the family in 1537, Cosimo had Vasari, his favorite architect, rebuilt the Villa, and Trebbio was hired to create the classic Italian gardens, the first of their kind.  The successors of the de' Medici donated it to the state in 1919.  The gardens are now open to the public.


Villa Di Castello


While still a bachelor, Cosimo fathered a daughter, Bia.  Bronzino was Cosimo's favorite painter, although he tormented Bronzino by never naming him the official court painter.  Bronzino painted portraits all of Cosimo's family, including this one of Bia.  Bia died aged 5, about the age in this portrait.  In Bia's portrait, she wears a medallion with the profile of Cosimo on it.

 

BRONZINO, Agnolo
Bia, Daughter of Cosimo I de' Medici
c. 1542

Cosimo knew he needed legitimacy to rule safely, and he needed class to turn his rough, earthy de' Medici family into the great royal House he hoped for.  He asked first to marry Alessandro's widow, daughter of Charles V.  But Charles V had already promised her to someone else. 

Charles V offered to intervene with the King of Naples to get the hand of his eldest daughter for Cosimo.  But Cosimo knew he could never love the girl, and was instead very attracted to the youngest daughter, Eleonora, beautiful, intelligent, and fun-loving

Eleonora was used to the Spanish court's young men, so the battle-hard, virile, handsome, ambitious Cosimo who desired her over her sister, was probably a hunky catch in her eyes.

This painting was made from the one that appears below, when she was 23.

So Cosimo married Eleonora di Toledo, the beautiful and rich 17-year-old daughter of the viceroy of Naples Don Pedro di Toledo, in 1539, and they to all accounts had a good marriage, the early years full of love, laughter, travels together.   Eleonora gave birth to 7 sons and 4 daughters, approximately one child each year of their first 11 years of marriage. 

Cosimo also garnered with the marriage, peace with the Spanish who controlled southern Italy, and an army which he used to further consolidate his power through vicious warfare.    

Eleonora influenced her husband in many ways, such as encouraging his support of the new order of Jesuits, and in providing a haven for Jews in an Italy that was becoming increasingly inhospitable due to bigoted laws passed by the Vatican in their misguided counter-reformation. 

Cosimo and his wife led a peripatetic life, traveling between palaces and estates for the various seasons, for vacations, for hunting and fishing, for their health, and for safety.  Eleonora:

  • managed the vast staffs of all the households, making sure that all that was needed with each move was where it was supposed to be. 
  • She also ordered special fabrics, makeup, specialist household goods, and gift items from all over Italy,
  • and gifts sent all over Europe to ruling families. 
  • And she managed the care, amusements and education of her children, in the early years with the help of her mother-in-law Maria Salviati.
  • she sourced specialty items from all over Italy and from the New World for their court.

Documents show that they were a normal husband and wife in surprising ways.  For example, when Eleonora was especially pleased with a pair of new red velour shoes, her husband joked that with the addition of a gold cross embroidered on them, they would be fit for the Pope.  Women and shoes and their envious husbands...time never changes human nature.

The military adventures, many children, vast estates and patronizing artists cost money.  It's known that when necessary, the family is pawned their jewels with Florentine bankers to increase their cash flow.  The jewels were made to be easily removed from their settings to give to pawn-brokers, and to move between settings to replace those pawned.  Pragmatic is probably the best word to describe Cosimo and his new House of Medici.

This later portrait of Eleonora by the same artist, Bronzino, shows a woman past the bloom of youth, yet still beautiful, if not sadder.  She would have already contracted syphilis from her husband, who suffered from it most of his life.

The Palazzo Medici remained in possession of Alessandro's widow, as per an agreement with Charles V, so Cosimo took possession of the Palazzo Vecchio (Cosimo called it Palazzo Maggiore) in 1540 as his family home, becoming the Palazzo Ducale.

He had it redesigned and decorated with frescos by Vasari of the de' Medici family.  Below is Palazzo Vecchio, also called Palazzo Vecchio.  Below that is a view of the entrance to the Palazzo Vecchio and the Uffizi to the right of it.   

This is a view of the interior court of the Palazzo decorated by Vasari for Cosimo de' Medici.  Vasari also supervised the vast decoration of the Salone dei Cincquecento and the Sala di Cosimo Il Vecchio with scenes commemorating great moments in de' Medici family history.

 
Patio Interior in Palazzo Vecchio
Vasari, Giorgio


 

The Salone dei Cincquecento, the ministerial and representative meeting hall, and court reception hall during Cosimo's time, decorated in his glory by Vasari, by order of Cosimo. 

From the wonderful Wikipedia page on Il Palazzo Vecchio:

"On the walls are large and expansive frescoes that depict battles and military successes of Florence over Pisa and Siena :
  • "The taking of Sienna",
  • "The Conquest of Porto Ercole",
  • "The victory of Cosimo I at Marciano in Val di Chiana",
  • "Defeat of the Pisans at the Tower of San Vincenzo",
  • "Maximillian of Austria attempts the conquest of Leghorn",
  • "Pisa attacked by the Florentine Troops"

The ceiling consists of 39 panels also constructed and painted by Vasari and his assistants, representing "Great episodes from the life of Cosimo I", the quarters of the city and the city itself and towards the center is the apotheosis : "Scene of his glorification as Grand Duke of Florence and Tuscany""

Visitors to Florence know Gli Uffizi, the main museum of Florence.  It was built by order of Cosimo in 1550 to hold the city administration (Gli Uffizi means The Offices) and his court in one convenient and central building rather than in smaller offices all over the city. 

A district of homes and businesses that flanked the river was torn down to make room for the two long Uffizi buildings and joining end piece that faced the river. 

A few years back, when they repaved the main square, they discovered under the square the old dye pits used by the fabric dyers who had once lived in that area of the city.

Also in 1550, Eleonora purchased Palazzo Pitti from the Pitti family (she was very wealthy in her own right, owning estates in Spain) and made it their new home.  They developed further the estate behind the Palace and the Palace itself to accommodate their growing family. 

Below is a depiction of the Palace at that time with the estate behind.  Below that is how it appears today. 


Fort Belvedere and The Pitti Palace from a Series of Lunettes Depicting Views of The Medici Villas
 

Palazzo Pitti and the Boboli Gardens today.  Click here for more about both.

Cosimo made sure his subjects were entertained and fed in the Roman tradition of keeping civil peace by providing the public with Bread and Circuses, food and entertainment. 

Like the earliest de' Medici Cosimo, the Elder, religious festivities were underwritten by the de' Medici, and secular fun was encouraged, with the de' Medici usually offering the prizes for the winning parties. 

There were also massive parties for occasions having to do with the de' Medici family itself: 

  • weddings,
  • arrivals of important guests,
  • anniversaries,
  • military successes, for example. 

Here are two images of secular celebrations in Florence in 1555, during Grand Duke Cosimo's time, by an artist who in Italy is known as Giovanni Stradano:  a football (Calcio Storico) tournament, and a jousting tournament. 

Certain areas of Florence (Fiorenza) were off-limits to footballers, while others were adjusted to allow the local boys to play to their hearts content, like Piazza Santa Croce, where today's Calcio Storico celebratory game is played each year.

 
A Game of Football in The Piazza Santa Maria Novella, Florence, 1555

 

The later years were less kind to the couple.  They both suffered from ill health, the most likely cause is syphilis, passed from Cosimo to Eleonora. 

By the time Eleonora was 40, she had buried 5 of her children.  She suffered twisted legs because the syphilis had progressed to its advanced phase causing shin splints.  She also had hairline fractures on her pelvic bone due to her many pregnancies and deliveries (she was a small woman - only 5 feet tall, complicating deliveries).

BRONZINO, Agnolo
Portrait of Maria Lucrezia de' Medici
1551 (Eleonora's first born in 1540, age 11 in this portrait, she died at age 17)

It was always believed that Eleonora had TB, diagnosed from her pale skin, thin build and long fingers and hands.  But the pale skin could well have been from makeup she's known to have used.  Her thinness was likely from the syphilis

This portrait by the same artist as before, Brozino, is from 1560.  Eleonora is aged 38, and shows the wear her life had on her.

In 1562, Eleonora traveled with her 15 year old son Garzia, to visit his 19 year old brother, Giovanni, a Cardinal in Pisa.  Cardinal Giovanni warned against the trip because of an outbreak of malaria in the swampy region.

 

Cardinal Giovanni de' Medici

During the trip, Garzia died of malaria, Giovanni died of it soon after, and Eleonora contracted and died of it too, not long after that.  Eleonora was buried in the gown she wears in the first portrait of her on this page, believed to be her wedding gown. 

Bronzino painted several charming portraits of Giovanni and Garzia as children. 

BRONZINO, Agnolo
Portrait of Giovanni de' Medici
c. 1549

Some people spread rumors that one brother had killed the other who was then killed by Cosimo, and that Eleonora died of a broken heart.  But recent forensic evidence proves that malaria was the killer for all three. 

Cosimo is the one who suffered the broken heart.  He had ignored his son's warnings about the malaria.  Cosimo was suffering bad health too, from hereditary arthritis and from syphilis.  In 1564, he turned over power to his son Francesco.

In 1565 Cosimo had Vasari build a corridor from the government offices to the Palazzo Pitti, so he and his family could walk in safety from home to work and back.  It's called the Vasari Corridor and can be seen on the left side over the arcade in the image below, with The Uffizi in the middle above the larger arches.

The Corridor passes over the Old Bridge as seen in this image.  It continues on through a church and ends in the gardens of Boboli behind the Palazzo Pitti.

Remember murdered Alessandro's two illegitimate children, Giulia (2 years old at the time of her father's death) and Giulio (4 years old)? 

They went on to make Alessandro's royal line live longer than any other de' Medici.   They linked via marriage the de' Medici line with the royal houses of the:

  • Hapsburgs,
  • the Bonaparte line,
  • the Belgian royal family
  • and many Italian royal families.

Cosimo arranged Giulia's first marriage to a de' Medici cousin.  He died soon after, but she was happy.  She was now legally a de' Medici by name.  She later married into the Spanish court in Naples.

    

Giulia and Giulio de' Medici

Cosimo was also instrumental in gaining another de' Medici pope, by sending his cousin, Alessandro Ottaviano de' Medici (1535-1605), an ordained priest, as his representative to the Vatican. 

This put Alessandro Ottaviano before the eyes of three Popes who rewarded him for his service and competence with promotions to Bishop and Cardinal, and special missions for the Popes. 

In 1605, when Alessandro was 70 years old, he was elected Pope to spite the French and Spanish.  Unfortunately, he became ill immediately, and died within 26 days of taking the office.  He was a very ill Pope from April 1, 1605 to April 27, 1605.  This is his official Papal image.

In 1564, Michelangelo died in Rome.  Cosimo was notified by a doctor in attendance that Michelangelo died without family in Rome and without a will, but that he had told him he wished to be buried in his beloved Florence

This excerpt of the message gives an idea of how Michelangelo was viewed by his contemporaries.

"Questa sera passato da questa a miglior vita quell'Ecc.mo et veramente miracol di natura M.r Michel Agnolo Buonarroti."

"This evening passed someone from this life to a better life, that Most Excellent and truly a miracle of nature, the Most Revered Michel Agnolo Buonarroti."

Cosimo had the most famous Florentine artist's body:

  • returned to Florence,
  • paraded solemnly through the streets for people to show their respect, and
  • entombed in the Church of Santa Croce with high honors and a memorial. 

Just a side note: Da Vince was called 'The Grand Vinci' by Cosimo's court.

This sort of funeral and burial was unheard of for an artist, but it was what Michelangelo deserved, and it was paid for by the family that discovered him, gave him his early education, and financed many of his greatest works from sculpture, to paintings, to architecture, the de' Medici.

Cosimo also ordered the Laurentian Library, designed by Michelangelo, be opened to the public, as it still is today. 

In the main square of Florence is an equestrian statue of Cosimo the Grand Duke of Tuscany.  (Also in the main square at that time was Michelangelo's 'David'.  One arm of 'David' had been damaged in 1527 during the anti-Medici riots that routed them.  One of Cosimo's first acts on taking power in Florence was the crowd-pleasing one of having the arm repaired.)  

Even after retirement and suffering various illnesses, Cosimo managed to find the energy to take two lovers (but rumor has it he had something of a harem at his villa and took women freely in Florence throughout his life), father 3 children (two who lived to marry), and marry his lover, Camilla Martelli

Camilla de' Medici, Cosimo's second wife

Cosimo retired to his childhood home, Villa di Castello, and died there in 1574. 

Here's a link to a book about portraits of Medici women painted during this period, many by Bronzino.  The author analyses the coded messages contained within the images.

 

To the next section:

The Age of Discovery, Francesco and Ferdinando:  Two Very Different Brothers